Shane ‘Sizzle’ Syddall (00:10):
Welcome to Thursday nights, Oz Comic Show gets it right for us. Hello, we’re here with Morgan and Peter, the new host, Peter, and tonight we are chatting to Angie Spice. So that’s going to be a lot of fun. Sweet. Yeah, it’s going to be awesome. So without any further ado, I’ll find the button and we shall get on with the show.

Morgan Quaid (00:38):
Hit the button. Let’s do it.

Shane ‘Sizzle’ Syddall (01:00):
Hey, got Angie Spice

Angie Spice (01:02):
Intro.

Shane ‘Sizzle’ Syddall (01:04):
Peter’s in the intro now. Woo.

Morgan Quaid (01:06):
Yes, the three amigos. Well, welcome Angie. Great to have you here. Apologies in advance for what we’ll follow. Undoubtedly,

Angie Spice (01:19):
I’m ready for anything.

Morgan Quaid (01:21):
It’ll be great. It’ll be great fun. So let’s start. Why don’t you tell us a little bit about what got you into art in general or comics more specifically. What was the first kind of inkling that you had, either when you were growing up or a little bit after that that really ignited your passion for art and such?

Angie Spice (01:47):
Yeah. Well, I think most people that get into comics, we like looking at pictures and I didn’t really like reading. I even remember even watching TV when I was a kid. I’d just watch it and I wouldn’t really pay attention to what they’re saying so much. I was kind of drawn, yeah, I guess more to that visual aspect and not the language, particularly the visual language, but also the audio language. But I think if there was a book laying around, I just want to read it. And I guess the books that were graphic novels were the ones that sort of made sense to me. And

Morgan Quaid (02:31):
So I know the words get in the way. The words

Angie Spice (02:34):
In the, yeah, I think so. And when I was a kid, I didn’t even really talk that much, but I kind of learned that you’re meant to talk. So I developed that later. But yeah, I was a weird kid. I didn’t really like talking and words didn’t really mean anything to me. I loved singing, but that’s different. Oh, cool. So I guess I never had comic SL around and I didn’t really read a manga until five years ago, but I got introduced to comics maybe when I was in high school as something that I could potentially pursue. So that’s kind of where it started for me.

Morgan Quaid (03:20):
And was there any sort of drawing or doodling or anything like that before then? Or was it really after that you thought, hang on, I could do this. I’m going to give it a go.

Angie Spice (03:32):
From about the age of 12 or 11, I always knew I wanted to be a storyteller, and so I was thinking of maybe doing animation, but even from that age, I was writing my own stories and drawing illustrations to them. So I was already making storybooks and pretty large already. So I think I’ve just always been inclined to tell stories and I just love it. So it’s just always been who I am, I think.

Morgan Quaid (04:01):
Yeah, that’s right.

Angie Spice (04:04):
Yeah, I mean, obviously I’ve had patches where I haven’t been doing it so much.

Morgan Quaid (04:09):
But

Angie Spice (04:10):
Yeah, I think it’s just natural for me to do that.

Morgan Quaid (04:15):
Okay, cool. Well,

Peter Wilson (04:19):
Speaking of storytelling, yours was the first I’ve ever read on Webtoon. I’ve never read a comic on Webtoon before.

Morgan Quaid (04:26):
Oh

Peter Wilson (04:27):
Wow. I thoroughly enjoyed it.

Morgan Quaid (04:29):
Welcome to the 21st century dude.

Peter Wilson (04:33):
A big fan. So when writing and drawing your comics, have you noticed a big difference between doing it digitally for web tune and for print? Do you have a preference or?

Angie Spice (04:47):
Yeah, personally, I actually prefer reading a real comic, like a physical printed one. But I thought it’ll be nice to try web two just to reach a wider audience, a global audience, and try and do something different. It is a very different visual format and a very different storytelling format. I’m still figuring it out. But yeah, I definitely prefer the old fashioned printing a comic. But I like, what I like about Webtoon is the weekly schedule. I like that a lot.

Peter Wilson (05:25):
Yeah, sure. So

Angie Spice (05:27):
I don’t know, I’m just figuring it out really, to be honest with you. I still don’t really know what works better for, I’ve had a few people say that it’s more about the visual style than the story. Someone tell me, people don’t even read comics on Webtoon like, okay, I don’t know. That’s

Peter Wilson (05:47):
Interesting.

Angie Spice (05:48):
Yeah, I dunno. I’m still figuring it out. Everyone’s got their own advice about it. It would be really good if I could meet an editor or someone from it so I could sort of figure out what I’m doing a bit more. But at the end of the day, I kind of want to write my own story and I guess it’s more art house than mainstream, so it’s just important for me to do what I got to do and get my story out the way I want it to be out. So there’s pros and cons to using Webtoon and printing comics, but I think it’s harder to get across to get exposure. At the moment, the algorithm has become very narrow. It used to be really good, I think a few years ago, but yeah, at the moment.

Morgan Quaid (06:41):
And have you found, sorry, have you found that the limited exposure I’ve had to, that’s the wrong word to use anyway. The interaction I’ve had with WebToons has been you can potentially get a lot of eyes in front of it, a lot of people looking and even interacting and comments and all that sort of stuff, which is really, really cool. What I found was none of that translated to, ah, I’m now putting this on Kickstarter. You can buy the actual comic version of this if it just seemed like there was a big gap between I want this on my phone, I want it free. And like you say, I want, yeah. And

Angie Spice (07:26):
That is something that I’m not particularly, I don’t know because I’m used to selling my comics, so I’m used to earning money and quite a bit of it from what I do. But I guess I’ve got a few people on Patreon that support me anyway. But unless I become really big on Webtoon, I can’t really get much income out of it, which is frustrating. But then again, if it flops on Webtoon, I can always print it into a book later because it’s my ip, it’s my material. So it’s not a waste, but it’s frustrating. It can be at times. It is a little frustrating because I’m successful with my comics. Yeah. But I don’t know, it’ll be good to talk to someone that can give me a bit more advice with it. Someone on the inside.

Morgan Quaid (08:24):
How have you found the difference between going vertical as opposed to your normal sort of layout? Do you do a lot of changing on the run because you’re sort of doing, I suppose, individual panel by panel almost. Do you as you’re going and go, oh no, let’s change this and add different words and do this editing?

Angie Spice (08:46):
Or do

Morgan Quaid (08:46):
You still plan it editing? A lot of editing?

Angie Spice (08:48):
There’s a lot of editing because I usually work traditionally, so I still use my manga pages throughout the page. So here’s a page I’ve been working on now. So this is kind of what I do.

Morgan Quaid (09:07):
So

Angie Spice (09:07):
That’s just bare light. That’s very cool. So I did the pencils and I did the inks, just like a normal manga page, and then I’ll scan that in and

Shane ‘Sizzle’ Syddall (09:20):
Oh,

Morgan Quaid (09:22):
We lost her already.

Shane ‘Sizzle’ Syddall (09:24):
This device is not connected. Oh no.

Morgan Quaid (09:28):
Someone did something

Shane ‘Sizzle’ Syddall (09:30):
Wasn’t me.

Morgan Quaid (09:31):
I blame the government. Any

Shane ‘Sizzle’ Syddall (09:33):
Government,

Peter Wilson (09:34):
Here’s one of Angel’s comics,

Shane ‘Sizzle’ Syddall (09:36):
Sweet

Peter Wilson (09:38):
Julia, issue one. And when she sends it to you, which is pretty cool, you get it in the

Morgan Quaid (09:43):
Oh, nice.

Peter Wilson (09:44):
Nice little sketch.

Shane ‘Sizzle’ Syddall (09:46):
Oh, we had this happen the other night when she was on drink and draw.

Peter Wilson (09:49):
Yeah.

Shane ‘Sizzle’ Syddall (09:52):
Can you hear us?

Angie Spice (09:53):
I can hear you.

Shane ‘Sizzle’ Syddall (09:55):
Okay, cool. We can hear you. We just can’t see you.

Angie Spice (09:57):
Oh, sorry about that. My web camera sucks if I bump it. I think it just disconnects.

Morgan Quaid (10:05):
It doesn’t like it.

Shane ‘Sizzle’ Syddall (10:06):
It doesn’t like it.

Morgan Quaid (10:11):
That’s all right. That means the people get to look at our three awesome faces. What a treat for the viewers.

Angie Spice (10:19):
What’s going

Shane ‘Sizzle’ Syddall (10:19):
On? Oh, it’s a lovely picture.

Morgan Quaid (10:21):
There you go.

Shane ‘Sizzle’ Syddall (10:24):
Gone again.

Peter Wilson (10:28):
It does look great, Tanya. You’re right.

Shane ‘Sizzle’ Syddall (10:30):
Yeah, it does look great. It looks great. Awesome pitch. Awesome art.

Morgan Quaid (10:35):
Yeah, awesome comic. I want to ask Angie when she comes back, but Peter, maybe you could help as well, because I’m terrible at describing styles of art. Oh, hey

Angie Spice (10:47):
Back. Sorry.

Shane ‘Sizzle’ Syddall (10:49):
That’s okay. Alright.

Angie Spice (10:51):
Yeah, so I was just saying, so I’m scanning in a page format, but I’m not necessarily got a set layout. You just have to put them in order down the vertical line. But it is a lot more editing, working. Traditionally, if I was working digitally, it’ll maybe be a lot quicker. I can just work straight on that format. So just doing it the way I wanted to work, I guess.

Morgan Quaid (11:23):
And I was just saying to the boys, I’m not good at describing art styles or you hear stylized or whatever. So how would you describe your style of artwork? I don’t even know how to describe it. The sort of thin lines and nice arcs and I dunno how to describe it. It’s beautiful, but I need help. Someone that is an artist. Tell me what that style is.

Angie Spice (12:02):
It’s my style.

Morgan Quaid (12:03):
Your style. Angie’s style. Angie’s Spice style.

Angie Spice (12:07):
I’ve got a massive longer influence, so I sort of trying to be more like that, but at the end of the day I kind of want to do things my way, which is why it looks the way it does.

Morgan Quaid (12:21):
Yeah, yeah. There’s definitely a bit

Angie Spice (12:22):
More, I have sort of more retro monger, but I like to use the shapes than I like and the lines. And I’m a bit messier, but I’m trying to work on that. But you kind of got to draw the way you draw

Morgan Quaid (12:38):
And that messiness is kind of nice with traditional, what are they called? Inks, all that sort of stuff. I don’t know, this’s something nice about Anna when a line doesn’t quite match up and everything’s very just

Angie Spice (12:52):
Yeah, I like the movement and I like the pictures to feel like they’re kind of alive, not just really tight lines. I don’t like doing that myself, but yeah.

Morgan Quaid (13:06):
Well it’s really beautiful. Do we have some more that we can see while we’re talking? No, thanks to my illness. I didn’t upload anything. I’m sorry. Oh, sorry bud. Sorry, I didn’t mean to drop you in. That’s cool. Alright, so let’s talk about the sort of style that you like to draw that you like to, or the sort of stories that you like to tell. What’s appealing to you? What sort of stories do you like? What sort of heroines, heroes, villains or situations? Yeah.

Angie Spice (13:43):
I’m not really into that at the moment. I don’t think I really, I’m really into real life stories. So I’ve got a lot of autobiographical works by different manga car, different riders. So I’m very interested in that. And I like some of the older monger. I’ve got Dragon Ball, I’ve got a few Yuri Moners that I, I don’t know. I haven’t had a lot of time to read at the moment.

Morgan Quaid (14:15):
But in terms of the projects that you work on though, is there?

Angie Spice (14:19):
Oh right,

Morgan Quaid (14:20):
Yeah. What sort of stories interest you or situations interest you to draw? Or even what sort of characters do you like drawing most?

Angie Spice (14:32):
Yeah. Well, I like drawing characters with a bit of mystery, but a lot of my characters and things I write about it from my life experience, so I kind of draw a lot from that. Yeah. Didn’t you read my story?

Morgan Quaid (14:52):
Yes. But the people out there may not have.

Angie Spice (14:59):
Yeah. Well at the moment you go,

Morgan Quaid (15:04):
Oh no, sorry.

Angie Spice (15:08):
Right. I’m

Morgan Quaid (15:09):
Giggling not you go Angie, you go.

Angie Spice (15:14):
Yeah. Well obviously at the moment I’m writing a romance story and I’ve always wanted to do that kind of story between two women. But I grew up in an era where you couldn’t really be out, out. There weren’t any stories like that. And now the current climate is really like, whoa, anything goes. So that’s kind of my genre that I want to become, get more into because my style is a little bit, it isn’t exactly romance style. My style looks a bit more edgy and a bit more masculine I guess, in a way. But I want to become more like write stories more little. But I like a bit of mystery as well. So I don’t know, maybe I’m too art house. Yeah.

Morgan Quaid (16:08):
Well definitely on web tunes I’ve noticed that’s exactly the right place for that sort of thing. I think there’s a lot of popular stories that have that same sort of feel. Yeah. Romance boys. Questions on romance? I hear it’s good. Yeah, so the rumor is good.

Angie Spice (16:33):
I think it’s probably more of a girl thing to write about that. I think a lot of more women, I don’t know, I don’t want to say it’s a gender thing, but I think generally women like to write about that stuff, what they think about, whereas guys may tend to think of different types of stories in general. You know what I mean? So I like to write what I feel like was missing when I was growing up, and a lot of that is my own experience of life and what I think about.

Morgan Quaid (17:14):
Yeah,

Angie Spice (17:16):
I don’t know. I guess you guys can’t relate.

Morgan Quaid (17:23):
Yeah, it’s different obviously for different people. I tried to write romance once and I can’t do it. It doesn’t whatever you need. I don’t have whatever you need. Well

Angie Spice (17:36):
You got to be inspired to ride it. You can’t just try and ride it. That’s going to be shit.

Morgan Quaid (17:43):
And it really was. Yes. Yeah.

Angie Spice (17:49):
I think it is such a personal thing, the stories you write and just trying to be someone else is never going to work or something else is never going to work. So yeah.

Peter Wilson (18:00):
Well, I write a series about two enemies always fighting. So romance is hard to come by in the probably doesn’t say.

Angie Spice (18:08):
Yeah, I draw a lot of parallels between those kind of characters and a romantic relationship because there’s that tension. I like that idea. A lot of manga has that kind of element to it. That’s true. Maybe not full on romance, but more of a platonic relationship. It’s really, Naruto is a good example of that. If you guys have read or watched that, there’s Naruto and Ske and they’re both sort of, they were good friends, but they’ve always been rivals, but they’ve got this bond that is, it’s not romantic, but it’s very close and it’s very intense and it could be even interpreted that way, but it’s not. But it’s up to your interpretation.

Morgan Quaid (19:00):
There you go. So there’s room there, Peter, there’s room.

Peter Wilson (19:06):
I think I might’ve expanded my series a bit there. Good. Thank you Andrew.

Angie Spice (19:13):
No worries.

Morgan Quaid (19:15):
So we’ll dig a bit deeper. Is there an idea or a style or something you’ve really wanted to dig into, but for some reason, either because it’s too much or it’s too weird, or it’s just too, whatever, something that you’ve got that you’re happy to share that you’re thinking one day I would really like to tackle that or, well,

Angie Spice (19:40):
Yeah, pretty much the genre I’m working in. I kid you, I used to fantasize about writing about what I’m writing now, but I felt like it’ll never be accepted because I grew up in a very, I guess or fashioned sort of environment. So for me, writing about that is, it’s kind of a guilty pleasure almost. But back then, that’s the way I saw it. So to be working on what I am now was the goal. Obviously there’s some stories that I would like to work on that I have been working on, but I haven’t. I’ll work on them later, but I can’t do everything at once. So yeah, I don’t know though. I mean, do have, for a while I had one story idea that was a little bit brutal and that was about, it was more like a thriller. It was more like a sort of murder revenge story. But I’m like, I don’t want to delve into that kind of energy. Yeah,

Morgan Quaid (20:45):
It’s pretty dark, fun to do.

Angie Spice (20:49):
There’s stuff I’d rather do. Right.

Morgan Quaid (20:53):
Well, that’s pretty cool though, that you’re kind of doing now the thing that you’d always looked at and thought, that’s what I want to do. Do you listen to particular music or anything like that when you’re drawing when you are, or do you have something in the background watching the Nanny or something like that? As some of our rise reference,

Angie Spice (21:17):
I grew up listening to a lot of jazz music. A lot of the divas like Whitney, Whitney Houston, obviously Celine and all of their voices and emotions have really developed my characters as well. I’ve also had a background in music as well. I’m a singer, so I have a strong connection to that in my visual art as well and my storytelling. So I mean, yeah, at the moment I’m sort of trying to get back to a bit of my music a little bit if I can because it is so connected, I intertwined. So yeah. But other than music, I like listening to a lot of podcasts at the moment.

Morgan Quaid (22:03):
Right, okay. That’s interesting. Yeah. So maybe we talk a little bit about a Hobart Rhapsody. If you were saying, what style of music would you be thinking of? I would’ve gone jazz immediately. Just the style of artwork. It has that kind of feel. Oh,

Angie Spice (22:22):
That’s good. Because also with the Hobart Rapp City, the episodes are named after a jazz standard, but I don’t think it’s obvious unless you’re a big jazz person. So each episode’s called jazz name. Miss Misty was the last episode, I think.

Peter Wilson (22:41):
Yes, I listened to that on your recommendation when I got that episode.

Angie Spice (22:46):
Oh, you did? Oh my. That’s awesome. Yeah, so that’s actually something I want to edit into the web tune a bit more, have the actual jazz title of each episode so people get what I’m imagining. I think it’d be good to take a few weeks off just to edit those graphics in so people understand a bit more of my ideas and my concepts. It’s just so hard to find time to do all of that, but if people got it, it’d be like, oh, this is awesome. Cowboy bebop. That’s where I got the idea from. Each episode is named after a song.

Shane ‘Sizzle’ Syddall (23:25):
Okay.

Angie Spice (23:26):
Yeah, so that’s where I got the idea from.

Shane ‘Sizzle’ Syddall (23:32):
Cool. Well, we’ve got a question from Dave here. Did you read Mills Burn type books? Angie,

Angie Spice (23:41):
What are they? I might’ve, but like I said, I didn’t really any words, so I wouldn’t know who

Morgan Quaid (23:50):
Their oldest style romance, romance books.

Shane ‘Sizzle’ Syddall (23:55):
I was wondering what the question came from. Yeah, okay.

Morgan Quaid (23:57):
Yeah. So the romance don’t, they’re more traditional style. Yeah,

Angie Spice (24:01):
I don’t think so. No. A lot of my storytelling, actual storytelling is, it’s definitely more inspired by watching anime because there was no mango around. So I watch anime on the internet and that. Thanks, Chris.

Morgan Quaid (24:21):
Hey, there you go.

Angie Spice (24:24):
Yeah. So a lot of my ideas come from watching anime on the internet. There was nowhere else to get that kind of story. So those stories,

Morgan Quaid (24:39):
And so heads up sizzle, you’re going to have a question just letting you know.

Shane ‘Sizzle’ Syddall (24:45):
Oh yeah, okay. He always throws me in the deep end and makes me ask a question that I haven’t got ready

Morgan Quaid (24:52):
For. To give you a bit of warning. Bit of warning. So I was going to ask there, I mean, everyone’s different, but I know some people and probably myself, is this doing art or music or writing? Sometimes it feels like a form of possession or I need to get this thing out. There’s this drive to just sort of exercise whatever this thing is inside, and then other people are much more, it’s a cathartic, relaxing process. So I suppose, do you fit within that spectrum, or is it something different that you experience when you are

Angie Spice (25:33):
Drawing? Yeah, it’s definitely something I need to get out of my system definitely. But I am pretty spiritual, but I kind of feel like I’m being led to do what I’m doing. It’s almost like I’m not creating this, but something else is. So it’s more like I’ve got to obey that creativity. So it’s just the tool that they use, whatever that thing is, the force or God or whatever. It’s

Shane ‘Sizzle’ Syddall (26:00):
How I, I’ve heard that before actually from some artists. Yeah,

Angie Spice (26:04):
Sometimes I forget that, and then it’s like, oh shit, why can’t I draw? It’s because you’re trying to draw. Just do it also like, oh, look how good I am. It’s like, no, look what the force or the creativity did, or the spirit or whatever. So I like to approach my creativity that way, but I just feel like it’s my will to do it or my will, and I’m just being led to do it. And sometimes it doesn’t make sense, but it does later off, if that makes sense. Yeah, I mean, you’d be pretty crazy to just do this on your own accord, I think.

Morgan Quaid (26:48):
And do you get touchy or anxious or anything like that? If there’s a few days go by or whatever and you’re unable to draw, you just can’t get the time because of life and whatnot, do you

Angie Spice (27:01):
Find you anxious? I’m pretty lucky at the moment because that’s pretty much what I do full time. But otherwise, when I was working previously other jobs or had other commitments, yeah, I’d definitely get edgy, really edgy. At the moment though, I’m kind of at a point where I need to mix it up a bit more, like I need to get back into my music or do something else as well, instead of just do what you’re drawing, you get a bit burnt out. So that’s kind of where I’m at the moment. Yeah, burnt out was music.

Peter Wilson (27:38):
Sorry to interrupt. Was music before storytelling, was that something you seem to have a big passion for music?

Angie Spice (27:47):
I’ve always been writing and creating stories before I pursued music, but Okay. Yeah, because I was kind of doing that, like I said, ever since I was 11 or 12 or 13, that kind of, I started music around the same a bit after maybe when I was 13. So I don’t know. But I guess I’ve always enjoyed being creative anyway, so it’s all sort of connected. But I do miss my music, but it’s just dumb. I think it’s tough as you get older and you find you’ve got less time.

Peter Wilson (28:28):
It is right.

Angie Spice (28:30):
Yeah,

Shane ‘Sizzle’ Syddall (28:31):
I understand that totally. Not the drawing part or the music part, but then time part, we got a question from someone in the viewership or whatever you want to call it. I can’t think of the word right now, in terms of romance and mango. Have you read your lie in April?

Angie Spice (28:49):
Yeah, I think I have one of them. One of the volumes, I’m pretty sure I can’t remember off the top of my head, is that I think it’s a one about a pianist in a flutist, if I’m remembering correctly. Otherwise, I might be thinking of a different manga, but I only read the first volume, so I haven’t read the rest of it unfortunately, although I liked a lot about it. But the main reason why I bought that manga was so I could reference it for my own storytelling to see what they do, how they can maybe draw instruments in a way that’s a bit more economical, because instruments can take a long time to draw, especially if you have trumpets and saxophones, which I’m going to have a little bit of that. Yeah. Oh, cool. But they were very clever actually in that monga, because the fellow in that Monga, the boy is a pianist, but they were very good at avoiding drawing the piano as well, which is very important when you have to draw release episodes or volumes of something every week. It’s good to know what tricks they do to make it quicker.

(30:22)
Although I like to draw challenging things that sometimes you need to take shortcuts. So it’s the main thing I took from that.

Shane ‘Sizzle’ Syddall (30:32):
Cool. Always learning.

Morgan Quaid (30:35):
And are you thinking of, I suppose, angles, perspectives, all of that sort of stuff all

Angie Spice (30:45):
The time? Camera position? Yeah, I’m big on that. Really big on that. So I try do a bit more for my comic books. I like to spend a bit more time on the storyboards. Sometimes for Korea, like my comic book series, I would redo the storyboards for one page seven times just to see different panels and angles I can get. I liked personally, I like to think of the angle before when I think I’m capable of drawing.

Shane ‘Sizzle’ Syddall (31:20):
I like that.

Angie Spice (31:22):
That’s why I feel like I’m very ambitious, so I’m always working on my drawing skill, obviously, but I like to push myself and see what I can accomplish. And if it doesn’t work, then maybe I’ll abandon the angle and try something a bit easier that I’m more familiar with. But that’s kind of how I like to approach my storytelling is think the director and what’s going to look better from the different camera angles rather than what you’re capable of. Right. Approach a lot of stuff.

Morgan Quaid (31:53):
So you’re sort of not starting with a limit, you’re starting with what you want to do, what’s cool, what works

Angie Spice (32:00):
Well? Yeah, totally. Otherwise it’s just boring. I would find it boring if I just stuck to my safety zone. It’s probably a lot of artists out there that could draw way better than me, but they don’t push themselves. That’s what I think.

Morgan Quaid (32:15):
Yeah. Yeah.

Shane ‘Sizzle’ Syddall (32:18):
We got another question. Christian’s just flying in her. Angie, what’s your favorite mango artist?

Angie Spice (32:24):
And at the moment, it’s a guy called Sugar Room. He’s actually a war veteran from the second World War, and he’s got an amazing story because he had to fight the war, obviously, against his own will. And then he lost his arm, and then he decides to become a mangaka. After that, he lost his dominant arm in the war, and then he just went on to do really amazing things. So I’ve got his autobiography at the moment.

Shane ‘Sizzle’ Syddall (33:02):
Wow, that’s really cool.

Angie Spice (33:03):
Yeah, he’s my favorite.

Shane ‘Sizzle’ Syddall (33:06):
He’s cool.

Angie Spice (33:07):
He’s got a cool story and a cool, a bit more of a retro kind of style, which I like. I would get up and show you, but I’m afraid of my web camera.

Shane ‘Sizzle’ Syddall (33:20):
You’ll make the web cool. That’s angry. Don’t want to make, its you ready for your question, buddy? Well, I’m going to shoot this up before I ask, and hopefully I’ve got the right address here. Angie, is this where people should be going?

Angie Spice (33:37):
Not really, because don’t take that down. No, any other day it would be. It’s because at the moment I’m in between, change my website soon, but the best place to go is my Patreon account where I post most of my stuff. So

Shane ‘Sizzle’ Syddall (33:56):
Is that just under Angie Spice?

Angie Spice (33:58):
Yeah. Yeah. So I’m Angie.

Shane ‘Sizzle’ Syddall (33:59):
So just search.

Angie Spice (34:01):
And I post to Instagram as well fairly regularly. So yeah, those two better ones.

Shane ‘Sizzle’ Syddall (34:10):
Well, my actual question is Geraldine, what was the inspiration behind her?

Angie Spice (34:19):
Is that your question?

Shane ‘Sizzle’ Syddall (34:20):
That’s my question,

Angie Spice (34:24):
Yeah. I feel like I said this a lot, but Geraldine was simply a deadline because I hadn’t made a comic. So I said, here’s a month, make a comic, and I want it to be 24 pages long. But I did source a name from someone I knew. I used to work in a nature home, and there was a lady there called Geraldine, and he got to know her a bit, so I just thought I’d steal her name. Oh, nice. Yeah, that’s sort of how her name came to be. But I guess I started with the idea that I wanted the main character to be mysterious and kind of attractive. So I kind of just sourced 1940s famous Hollywood actresses, and I found Catherine Hepburn, and that’s kind of where I got the look from. So that’s kind of where it all started.

Shane ‘Sizzle’ Syddall (35:29):
I was going to say, sorry, Catherine, because I drew you tonight. Sorry. Amazing. She’s watching. That’s incredible. Yeah, that is, yeah, true, true watching. So if given the choice, would you rather hang out with Evelyn or Geraldine for a day?

Angie Spice (35:53):
Oh, that’s a good question. I feel like Evelyn’s more like me and she would annoy the crap out of me, but I think it would be interesting to hang out with Geraldine.

Shane ‘Sizzle’ Syddall (36:06):
Yeah, I can see that.

Angie Spice (36:08):
Yeah, totally.

Morgan Quaid (36:14):
And is could be anyone, could be musician, singer, artists, anyone. Is there someone, or a couple of people you’ve thought about, man, it would be amazing to do a project with them or to collaborate on something, kind of your dream collaboration or just someone that you’ve thought, yeah, it’d be great to work with them.

Angie Spice (36:39):
Yeah, that’s another good question. Gee, I don’t know. Maybe I didn’t dream big enough at the moment.

Shane ‘Sizzle’ Syddall (36:48):
Just say, so

Morgan Quaid (36:52):
It’s Peter.

Shane ‘Sizzle’ Syddall (36:52):
It’s Peter, isn’t it?

Angie Spice (36:58):
I don’t know. I feel like it’ll be really awesome to work with, I guess me and Zach, if I could work with him, that’d be amazing.

Shane ‘Sizzle’ Syddall (37:13):
Yeah, that’d be cool.

Angie Spice (37:15):
I’d be able to learn so much from him. And I watched one of his documentaries. I’m like, oh my God, he’s so much like me in a way. But I guess anyone would think that about anyone they idolize. I also maybe Quentin Tarantino something a bit more crazy. My older brother was really into him, but because I was so exposed to his film, I actually picked up a lot of the elements that he uses in his work. And Courier for Chaos at Cape Broom is pretty much an homage to pop fiction with the skipping in time, what he does with the directing there. So that pretty much inspired the format of that story. Yeah, I don’t know. I need to really think about that.

Morgan Quaid (38:07):
That’s all right. You have a think about it when we bring you on next time. I’ll probably forget to ask that question

Shane ‘Sizzle’ Syddall (38:15):
To remind

Angie Spice (38:15):
Me. It’s a good thing to think about. Is this a

Shane ‘Sizzle’ Syddall (38:17):
Good question? Have you ever done a collaboration on a story?

Angie Spice (38:22):
Yeah, I have. I’ve illustrated other Pete’s stories, but I haven’t really written with someone, which I wouldn’t mind doing one day just for a challenge. And I wouldn’t mind working with an editor who could better my work, but has the right person. So that’s why I haven’t, I mean, I would like to do that. I’d also like to just do writing for something maybe and get someone else to do all the hard work, the drawings. But all I’ve really collaborated on is really just illustrating someone else’s work that’s about it really.

Morgan Quaid (39:06):
Okay. And without getting too personal or anything like that. So feel free to answer or not answer whatever you want. Yeah,

Angie Spice (39:19):
No

Morgan Quaid (39:20):
Problem. You’ve got the time, you’ve got the money, you’re going to get a tattoo. What’s the tattoo that you want to get that’s like, if I got to do it, I’m going to get such and such.

Angie Spice (39:38):
Yeah. What if I already have a tattoo? You don’t know.

Morgan Quaid (39:43):
Well, it’s up to you. What you would like to answer.

Angie Spice (39:48):
Well, I don’t know. This sounds really lame, but if I was going to get a tattoo, I’d probably get a phoenix on my back. Most people, because I relate to that, I relate to the Phoenix from the Ashes. I feel like my life goes in lots of those directions. Flows of just burning out completely and then getting reborn again. I think that’s a very natural way living for me, for some reason.

Morgan Quaid (40:14):
Pretty epic tattoo too.

Angie Spice (40:15):
Yeah. And another idea I had was getting the stripes of the Tasmania tiger on my rib like that. I think so killer. But I’m not going to do that to my body. But if I had to, yeah, I’ll do that.

Morgan Quaid (40:32):
I

Angie Spice (40:32):
Think that’d be really cool.

Morgan Quaid (40:34):
That would look amazing. I mean, it would hurt like hell, but it would look amazing. Yeah.

Angie Spice (40:41):
I don’t care about the pain at all, but just the idea of something just being stuck on your body and you’re sick of it is just annoyed the hell out me, I guess I looking at the same thing. I so annoyed. I mean, yeah.

Morgan Quaid (40:56):
Makes sense. Cool. Well, I’ll throw, I’m ready to get to the penultimate question of the night. I was was Wonder throw to Peter or Sizzle if you’ve got something else you’d like to ask or We’ve got Angie. No, I’m tapped out. You’re tapped out. Alright, I good. I want to hear these answers to these ones. So we have the two questions. These are the two questions that everyone gets asked. I dunno why. We don’t know why, but it just happens. It’s a thing now. It’s a thing that we have to do. So you’re in a car driving through the McDonald’s, drive-through Geraldine in the backseat. What is she ordering from McDonald’s or what are you ordering on her behalf from McDonald’s?

Angie Spice (41:42):
Let me think of their menu. What have they got?

Morgan Quaid (41:47):
She’ll

Angie Spice (41:48):
Probably ask for some cigarettes, but they won’t have them.

Morgan Quaid (41:52):
I not since the fifties. No.

Angie Spice (41:56):
Did they used to have cigarettes?

Morgan Quaid (41:57):
No, I don’t think so. But it was fine to smoke in the, why am I even talking about that yet? But no, they wouldn’t have sold them. No, she’s

Angie Spice (42:05):
Not big on eating. She doesn’t like eating that much. She won’t. She’s a chain smoker and she’s a bit of an alcoholic as well. So that’s what she’d be thinking about more than anything.

Morgan Quaid (42:16):
She’d like get through this, drive through and get to the bottle shop.

Angie Spice (42:19):
Yes, exactly.

Morgan Quaid (42:23):
So she’d probably go past, thank you very much. Yeah,

Angie Spice (42:27):
Move on through.

Morgan Quaid (42:29):
All right. Very good. Well, that’s our first pass. That’s our first character that’s gone. Not for me. So at the moment where you are in your life at the moment, what is the combination of your favorite thing you want to watch and what are you eating while you are watching it? It could be a movie, tv, anything,

Angie Spice (42:51):
Any food. Yeah, that’s definitely the UFC I’m a big fan of

Morgan Quaid (42:55):
At

Angie Spice (42:55):
The moment. I absolutely love it and I don’t miss it an event at the moment. If I’m at a convention or a market, I’ll watch it later in the evening. I find the stories of the fighters extremely inspiring and it’s just so good. It’s so good because it’s all real fighting and it gives me something to source my real ideas from different character types, which I find really invaluable as a storyteller because it’s all authentic. And what would I be eating? I don’t know. No, sometimes if it’s a really good, a special event, I might make a platter. So I would have cheese, figs, different yummy things like red wine and yeah, I’m big on that sort of thing.

Morgan Quaid (44:00):
Nice.

Angie Spice (44:00):
There you go. A platter, food platter cheese.

Morgan Quaid (44:02):
That is excellent. That was a very, very good mix of two completely traditionally opposite sort of things like fighting and a nice platter with wine and cheese.

Angie Spice (44:14):
The USC is so classy though, because you’ve got the announcer Bruce Buffet who’s all class, he’s like this James Bond kind of character announcing and he really makes it so classy. If you watch U ffc, you know what I’m talking about. But yeah,

Morgan Quaid (44:34):
Very good. Very good. All right. Thank you very much. So

Shane ‘Sizzle’ Syddall (44:40):
Not a question, just yeah, just a comment.

Morgan Quaid (44:43):
Go the musical.

Angie Spice (44:44):
Yeah.

Morgan Quaid (44:45):
So we’ve come to the gift portion of the night. Ah yes. So get ready to get excited because it’s happening. So we are going to send you digital versions of some artworks that we have done based on your characters.

Angie Spice (45:00):
Okay.

Morgan Quaid (45:01):
Don’t get too excited. So who would like to go first?

Shane ‘Sizzle’ Syddall (45:07):
I’ll go first because I’ve actually put mine up on here.

Morgan Quaid (45:09):
Yours is uploaded.

Shane ‘Sizzle’ Syddall (45:11):
Mine is uploaded. Cool. So I’m sorry, forgive

Angie Spice (45:15):
Me. No,

Morgan Quaid (45:16):
Don’t be sorry. She has a

Shane ‘Sizzle’ Syddall (45:20):
Tiny head.

Angie Spice (45:22):
What I that sometimes when I draw Geraldine, I kind of go with the fashion design proportions. And you’ve got that? Yeah.

Shane ‘Sizzle’ Syddall (45:30):
Oh, okay.

Angie Spice (45:32):
Intentional. Have a smaller head and a longer body. Yeah,

Morgan Quaid (45:36):
It’s perspective. She’s leaning back. She’s leaning back. Yeah, she’s leaning. Leaning right back. Nice. Well, I don’t want Peter to go next that will don’t follow Peter. Oh god. That’s the rule. I’ve just seen it again and it is quite guttural how this hits you. So again, apologies. I’ll just remind everyone of the rules. Okay. It’s like you’ve got five minutes. There’s no sketching. You just got to get in and do it from site. Oh, I’m sorry to add one. You ready? There we go. Oh. Oh,

Angie Spice (46:11):
I love it. Oh my God, that’s awesome.

Morgan Quaid (46:16):
It’s

Shane ‘Sizzle’ Syddall (46:20):
It’s

Angie Spice (46:20):
Good, man.

Morgan Quaid (46:21):
Alienesque, you’re

Angie Spice (46:23):
Ridiculous. Yeah, yeah. No, but she’s meant to look like that. That’s one of my antagonists from the current story.

Morgan Quaid (46:32):
She love

Peter Wilson (46:33):
Just like a substitute teacher. I had once Terrifying.

Angie Spice (46:38):
She’s meant to be this maybe 67-year-old woman, but she’s still in really good shape, but she’s also very, very petite and very sunk in. And she’s the CEO of the theater company.

Morgan Quaid (46:54):
I like the cheekbone and the really sort of sharp features and stuff.

Angie Spice (46:59):
Yeah. I love drawing older women like that. Fun. Just stretch their face around and shit.

Morgan Quaid (47:07):
Sweet. All right, here we go. Now we actually have a good drawing

Shane ‘Sizzle’ Syddall (47:12):
Glasses out.

Peter Wilson (47:14):
Don’t need that. I,

Morgan Quaid (47:16):
Oh dude. Come on. Come on.

Peter Wilson (47:20):
More severe than I meant to go for. I could have softened up the features a tad, but No,

Angie Spice (47:25):
I like that. I like

Shane ‘Sizzle’ Syddall (47:28):
That’s, thank you.

Morgan Quaid (47:30):
Oh man.

Angie Spice (47:31):
I like what she’s wearing too.

Morgan Quaid (47:34):
Yeah.

Angie Spice (47:34):
Oh, thanks guys. That’s cool.

Morgan Quaid (47:37):
That’s all right. We will get those sent off to you to do with as you wish, but maybe don’t look at some of them before you go to bed.

Shane ‘Sizzle’ Syddall (47:48):
There you go, Morgan. Thank you. Sp, we’ve forgotten this week. Hey,

Morgan Quaid (47:52):
Thanks. I got remembered.

Shane ‘Sizzle’ Syddall (47:54):
Cheers, Peter.

Morgan Quaid (47:55):
Hey,

Shane ‘Sizzle’ Syddall (47:57):
One Peter to another.

Morgan Quaid (48:00):
Is Spie going to say anything about Sizzle? Let’s just see.

Shane ‘Sizzle’ Syddall (48:03):
No, no. It’s all good. It’s all I butchered that. That was no

Morgan Quaid (48:07):
Question. We need equality anyway.

Shane ‘Sizzle’ Syddall (48:10):
We didn’t get it last time. Why do we need it this time?

Morgan Quaid (48:15):
He’s ignoring it. He’s just ignoring it.

Shane ‘Sizzle’ Syddall (48:18):
There we go, Carrie.

Morgan Quaid (48:19):
There we go. There we go. Everybody’s good. Well thank you Angie. So everyone go to Patreon, find Angie Spice or the Instagram as the kids call it. Get in and support. So Courier and Hobart. Rhapsody. Rhapsody, Hobart Rhapsody, the

Angie Spice (48:42):
Webtoon

Morgan Quaid (48:44):
On Web Tune. Thank you very much. Anything else guys we want add before we move to the next section?

Shane ‘Sizzle’ Syddall (48:51):
No good chatting. No, it pleasure chatting to you, Angie. That was fun. Yeah.

Angie Spice (48:56):
Spoke to be on.

Morgan Quaid (48:57):
Yeah. Thank you so much. Thanks you

Angie Spice (49:00):
For drawings.

Morgan Quaid (49:02):
That’s all right. No worries at all. I just looked at mine again. I’m going to close that book. There we go.

Angie Spice (49:08):
It’s good. I didn’t know what you’re talking about

Shane ‘Sizzle’ Syddall (49:11):
That better than mine, dude.

Morgan Quaid (49:12):
She’s looking into my soul and it’s doing something strange to me. I

Angie Spice (49:17):
Don’t like it’s just the character. It’s the character. It’s not the drawing.

Morgan Quaid (49:22):
It’s very harsh.

Angie Spice (49:23):
You captured the character is what I’m trying to say.

Morgan Quaid (49:26):
Yes. Well, thank you. Thank you. Cool. All right. Thank you very much again. And Sizzle is going to hit the button and we’re going to go to the next section.

Shane ‘Sizzle’ Syddall (49:37):
Yes, I am. So see Angie, it was pleasure talking to you.

Morgan Quaid (49:41):
See

Angie Spice (49:42):
Angie. Thanks guys.

Morgan Quaid (49:43):
Bye. Cheers.

Shane ‘Sizzle’ Syddall (49:45):
Bye-Bye. What have we been reading this week? Who wants to cheat and use Angie’s books? Not I’ve got another one of mine, but if you want to cheat, go for it.

Morgan Quaid (50:10):
You go Peter, because I’ve got nothing.

Shane ‘Sizzle’ Syddall (50:12):
Okay. I got nothing. Okay.

Morgan Quaid (50:15):
Yeah, this week was, oh, sorry.

Shane ‘Sizzle’ Syddall (50:17):
I’ll bring small book

Morgan Quaid (50:19):
Course play

Shane ‘Sizzle’ Syddall (50:20):
Coplay. This is the first Aussie indie comic I ever picked up. Oh, wow. And maybe start collecting ’em. It’s a

Peter Wilson (50:27):
Small story. It’s only about six pages about a girl who goes to her first convention and the pressures of cosplaying and the gatekeeping of nerdom that Ken has. That’s and her sort of getting bossed around and ridiculed. And then she meets a nice dude and it’s all worth it.

Morgan Quaid (50:47):
Nice. So it’s like a meta nerd kind of story.

Peter Wilson (50:51):
Yeah. Done by a little group. I’ll put up the credits here. I don’t want to massacre the names. There you go.

Morgan Quaid (50:58):
Oh, sweet.

Peter Wilson (51:00):
I met the writer on this

Morgan Quaid (51:02):
One. Oh, sweet.

Peter Wilson (51:04):
She was lovely.

Morgan Quaid (51:06):
Was that at a con?

Peter Wilson (51:07):
Yeah, it’s a nice, cute little story.

Morgan Quaid (51:10):
Was that at a condu or was it from a shop?

Peter Wilson (51:12):
Yeah, that was from the Gosford Con like four years ago now.

Shane ‘Sizzle’ Syddall (51:16):
Oh, cool, cool.

Peter Wilson (51:17):
I was going through my collection and this one doesn’t get much love, so I thought I’d throw it out there.

Morgan Quaid (51:22):
Sweet.

Shane ‘Sizzle’ Syddall (51:23):
I like it. I got to find it now.

Peter Wilson (51:25):
Yeah,

Shane ‘Sizzle’ Syddall (51:28):
So that makes it my turn. Let’s see if it’s on the top. Yes, it is. And I should probably take it out of the plastic so I can actually show the insides. This is what I read it today between, well, we’re going to talk about what I was doing today, but we will just say sleeping. Yeah, sleeping. We won’t go into the grocery.

Peter Wilson (51:47):
That’s right.

Shane ‘Sizzle’ Syddall (51:48):
We won’t go into the, let’s bring up my own face here. Okay. Let’s see if I can get the angle right. There we go. Now this is part four of four, so I finally get to read the end. This is by the same artist who did Peter’s book funnily enough.

Peter Wilson (52:11):
No way.

Shane ‘Sizzle’ Syddall (52:12):
Yeah,

Peter Wilson (52:13):
Yeah. Okay.

Shane ‘Sizzle’ Syddall (52:15):
I hope it’s pronounced Fitz is his name. But yeah, it’s a cool little story. I mean, it is the end. So if you haven’t got the rest of the book, I’ll show off some of the book here. It’s awesome art. And that reminds me, I really need to dig up my CO so I can do a courier for one of these nights. Yeah, yeah. I won’t show off the ending. So yeah, it’s a cool little story. It’s about an animal trainer, a mythic animal trainer. I’ll take my screen off full. And he’s been framed for stuffing around with the animals and putting them against. And then by someone else. It’s a bit complicated

(53:06)
Because that part of the story is earlier issues, and I’m forgetting the exact details, but in this issue, it’s all him sorting it out, coming back with the animals, with a animal that can cure the other animals. So if you read three, that’s when he finds this of all things pig with wings, go figure that can cure the other animals. And he’s back to save the day. And I won’t go further than that. Tell you how and what happens. So good read, love the art, nice, clean, fun, great, great one for all ages. I really do like the other three books as well. I’m really glad I’ve supported all four Kickstarters now. So nice little addition to the collection. Hopefully a trade come out. Yeah, well I won’t be getting that. I’ve already got the four original.

Morgan Quaid (54:03):
Yeah,

Shane ‘Sizzle’ Syddall (54:04):
Not all do Shane. Unless there’s new material in the trade and then I’ll have to get it.

Morgan Quaid (54:13):
So apologies from me. I haven’t had a chance to read any Aussie stuff because of a certain Australian artist that told me I have to get witch finder. The witch finder omnibus. And so I did. And so I’ve just finished reading that this week, which means I didn’t read anything else. So apologies for that. I have a ton of stuff. So let me just mention one of the things that I’ve got. 1, 2, 3, 4, like a bunch of issues by Fantastic. Mr. Dave Dye. Amazing

Shane ‘Sizzle’ Syddall (54:45):
Tale. Lovely.

Morgan Quaid (54:46):
So I’ve got these next as my to read that I need to get to get stuck in from Dave. Good choice. Looking forward to those. That’s going to be awesome Source as the kids say. Yep. And as we swing into Shameless promotion.

Shane ‘Sizzle’ Syddall (55:09):
Oh, shameless promotion. Yes. I forgot we do that, Jen.

Morgan Quaid (55:11):
I’ll just say for those that back the Shadow’s Daughter campaign, you might be able to see those. The books have started to arrive the Aussie books.

Shane ‘Sizzle’ Syddall (55:24):
Oh,

Morgan Quaid (55:24):
Sweet. The Aussie ones are actually, what’s that thing where they’re bound that way? No stables, perfect bound. That’s the one. So they’re actually perfect bound for the Aussies don’t tell any of the US backers, unfortunately. They get a different version. But yeah, so that stuff’s all arrived. So it should be a week or so, a couple of weeks, and I’ll all be out to everyone. So thank you again to everyone that backed the campaign and that stuff is coming as soon as I can get it ready. It’s a lot of books. Yes. Spines, Pete Spines. Sorry, I’m reading a comment. Spines that I actually had to send a whole bunch back to reprint because I cocked up the spine and had to redo it. But that’s all good. But yeah, they’re coming. I’m very excited. They look great and they’re printed on paper, which is what comics are, so that’s pretty cool as well.

Shane ‘Sizzle’ Syddall (56:23):
Oh, that’s always good. There’s

Morgan Quaid (56:24):
Should charged for that. It’s on paper.

Shane ‘Sizzle’ Syddall (56:26):
Wow. Well no, it should charge

Morgan Quaid (56:28):
Words and images are both included.

Peter Wilson (56:32):
The full comic. That’s great.

Morgan Quaid (56:34):
The full deal.

Shane ‘Sizzle’ Syddall (56:37):
Cool. Go. I’ll go last Peter.

Peter Wilson (56:42):
I haven’t got too much check out Comex presents. I mean the next couple of issues of that wrapping up the foes story that’s been going on. See who wins the demon or the Alien, maybe none of them, who knows. Go by.

Morgan Quaid (56:54):
Maybe romance.

Shane ‘Sizzle’ Syddall (56:55):
There could be maybe romance. There could be romance. Yeah. Brilliant. There’s

Peter Wilson (56:58):
A fraction of that now involved. I’ve decided, and I’m working on a more adult horror oriented foes for a series called Death Candy.

Shane ‘Sizzle’ Syddall (57:12):
Oh, cool.

Peter Wilson (57:13):
For the second one

Shane ‘Sizzle’ Syddall (57:14):
That was, I was second or third. Okay. Yeah, I got excited. I thought I was going to get some Peter Goodness in the kickstart I just supported.

Peter Wilson (57:22):
So things are going to get a bit more spooky with those guys. So that’ll be fun.

Shane ‘Sizzle’ Syddall (57:26):
That’ll be really awesome. I’d love to see that.

Peter Wilson (57:28):
Cool.

Shane ‘Sizzle’ Syddall (57:29):
And I’ll just throw my 32nd ad out there. I love this ad.

Voice Over (57:36):
Are you feeling a little down, tired of reading the same old books again and again looking for something different? Why not? Head over to the comic shop now and pick yourself up some freshly inked inspiration

Voice Over (57:56):
Ush.

Morgan Quaid (58:05):
I love that ad.

Shane ‘Sizzle’ Syddall (58:07):
I got to thank you so much for that, Morgan. I love that ad.

Morgan Quaid (58:11):
The dumbest things make me laugh, but the bit where the dude does this old

Shane ‘Sizzle’ Syddall (58:16):
S dude sneezes, I love that bit. Yeah,

Morgan Quaid (58:18):
It’s a kid sneeze. Sorry. That’s the funniest thing in the world for me. If people would pay me to just do that gags like that. Anyway, sorry.

Shane ‘Sizzle’ Syddall (58:28):
Cool. Well that’s all of us. Sweet. So I guess that’s the end of the show. There’s a comment just come up. Let’s see.

Morgan Quaid (58:34):
Oh, oh, deaf candy.

Shane ‘Sizzle’ Syddall (58:35):
We got ourselves a fan. Nice,

Peter Wilson (58:38):
Excellent, sweet. It’s going to get better then.

Shane ‘Sizzle’ Syddall (58:43):
Yeah, well it’s frozen. The next one or the one after, so woo. Cool. Well I guess that’s the end of the show, guys. I guess I will press this button and off we go. See you later everyone. Thanks for watching tonight. See you next

Peter Wilson (58:55):
For

Shane ‘Sizzle’ Syddall (58:55):
More Aus Comics. Goodness, and I’m not going to try it, so don’t worry, Morgan. See,

Voice Over (59:26):
Don’t forget to join us for Friday night’s. Drink and draw.